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《急就章》宋克混合体草书探源

时间:2020-05-20 19:46来源:毕业论文
通过对宋克草书传世作品的分析,指出《急就章》对宋克混合体草书风格形成的影响。宋克与宋广、宋燧被人们并称为“三宋”,其中宋克的成就最为突出,影响也最为深远

摘要宋克,明初著名的书法家,吴门书家的典型代表人物之一。明代盛行的书风大部分受到元代赵孟頫的影响,而唯有宋克在吸取前人成就的基础上,独辟新路,在不断摸索与实践中寻找到属于自己的书风。其成就尤其体现在草书的创作,在元代复兴草书的潮流下,他不仅仔细研习古人之法,还不断探索着新的草书书风,他将章、今、狂三草为基础而创造出的混合体草书,对其后世产生了深远的影响,同时,其书风在明代书史上也占有极其重要的地位。文章从宋克所处的时代背景出发,梳理宋克生平,揭示了宋克书法观形成的时代特征;其次,通过对宋克草书传世作品的分析,指出《急就章》对宋克混合体草书风格形成的影响。宋克与宋广、宋燧被人们并称为“三宋”,其中宋克的成就最为突出,影响也最为深远。49228

关键词:宋克;混合体草书;借鉴;《急就章》

Song Ke mixture of cursive

Abstract

Cursive cursive cursive song Ke. In the early Ming Dynasty, a famous calligrapher, Wu door calligraphers of the typical representative of one of the characters. The Ming Dynasty popular book wind mostly by the Yuan Dynasty, Zhao Mengfu, and the only song Ke in absorbing the predecessor achievement based on the independent production of new road, in the continuous exploration and practice to find their own book wind. The achievement is particularly reflected in the creation, in the Yuan Dynasty revival trend, he not only carefully learning the ancient law, but also continue to explore new cursive calligraphy, he will chapter, this mad three grass based and create a mixture of the later had a profound impact, at the same time, the book the wind in the Ming Dynasty calligraphy history occupies an extremely important position. Chapter from the song Ke the era background, combing song Ke life, revealing the song Ke calligraphy view the formation characteristics of the times; secondly, through analysis of the song Kecao books handed down the works, it is pointed out that effect of on the song Ke mixed cursive style formation. Song Ke and song widely, song flint is known as the "three song". The song Ke achievement is the most outstanding, and its influence is far-reaching.

Key Words: Sonk;  mixture of cursive;  reference;  《haste》

 目  录

摘要-1

Abstract-Ⅱ

目录Ⅲ

一、宋克书风形成的背景1

(一)“文字狱”的时代背景-1

(二)归隐作书的豁达性情-1

(三)上溯魏晋、师承元人的书风-1

二、宋克混合体草书与《急就章》1

(一)章草与皇象《急就章》-2

(二)元代章草的的代表人物2

(三)宋克对《急就章》的学习与借鉴3

参考文献6

 一  宋克书法风格的形成

  肖燕翼先生在《明代书法艺术概论》一文中则指出:

      “明初书法双轨前行,即‘艺术的自身发展之轨’和‘社会历史变迁之轨’,就艺术成就而言,以宋克的艺术成就最高,而此两轨合成导致‘台阁体’现象的出现。从诸家在各个方面对这段历史的阐述来看,深入研究元末明初的书坛,可以发现,元末隐逸书家 ——明初宋克一脉——明中期‘吴门书派’——晚明浪漫书风的文人书法传承和变迁的脉络中,宋克是一个很值得注意的书家。” 

宋克,字仲温,出生于元泰定四年,卒于明洪武二十年。因其家住长洲北郭的南宫里,故号“南宫生”。从他使用的印章看,又别署“东吴生”。

(一)“文字狱”的时代背景 《急就章》宋克混合体草书探源:http://www.lwfree.com/yishu/lunwen_52156.html

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